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Friday, April 10, 2009

For me, there's no party without music. That's for sure. The way music is played in a party has a more intense effect than anything else in it, being food, girls (or boys in other people's case) or location.

But I want to recall one wonderful party I attended more than four years ago in San Francisco. The story is pretty funny: On that particular saturday night I knew there was a party going on somewhere in Oakland and I was trying to get invited. I called this girl named Jae who knew the organizers and asked if I could go. She said no, that this was girls-night-only. Then I called my friend Nikki to asked her if she was going to that party. She said yeah, and also added the fact that Jae didn't want to invite me for some reason. Nikki said, "I'm sorry but she invited me and I'm going."

I was a little bit hurt but also pissed at Jae. I never talked to her again and she kinda drifted away from my group of friends. Good riddance.

That saturday I worked till 9 PM at my then horrible retail work and I knew I would end up locked up in my bedroom for the rest of the evening. Then, my good friend Clint called me saying there was a Party in San Francisco thrown by a friend of an ex-roomate he had. He asked me if I wanted to go. I said, ok, cool... We'll see what we find. He picked me at work on his van and we crossed the Bay Bridge.

The party was around Alamo Square. I honestly didn't expect a party like the one I found. It was awesome. For starters, it was Black History Month and the party was Black themed to the bone: soul food, fried chicken, ribs, cajun, and of course, the real food of the soul: Music.

Esther Williams: "Last Night Changed It All"


Roy Ayers: "Aragon"





Deodato: "Super Strut"


The DJ really spun his records good. Good ol' Vinyl, like the stuff we like around here.

The DJ of the party turned out to be Kevin O'Dea, the former guitar player of Brownbaggin', an Oakland Funk Band that I happened to see a couple of times after the party. (You can see him on the left playing with his new band the Grease Traps.) Tell me, by listening to the music I put here, at what party can you have more fun with music like this?

The night was awesome and I think with the fun, the music and the chicks that hung around, I will never have as much fun as this one.

Friday, April 3, 2009




No ha sido una mala década para el cine mundial. Al contrario, parece que los años de Bush y la contundente crisis económica mundial inspiran a los artistas a entregar mejores trabajos. Han sido diez años que empezaron con mala pata pero que poco a poco, en promedio, la calidad de los filmes lanzados en la década del 00 fue mejorando. Llegó un momento en que era entretenido ir al cine y películas como Gladiator y A Beautiful Mind fueron pasando al olvido. Pareciera que el 11 de Septiembre cambió la forma de ver las cosas no solo para los norteamiericanos sino para todo occidente. Después de Katrina y la segunda gran depresión, Estados Unidos se dió cuenta que para la próxima hay que votar con más cuidado. Al igual que elegir una película interesante para ir a ver.

Aquí están las que son las 50 mejores películas de la década del cero-cero.



1. 24 Hour Party People (2002) Creo que el momento más alto ocurrió con la aparición de un director inglés brillante llamado Michael Winterbottom. su película 24 Hour Party People es una de las mejores obras de amor a la música, sin importar su género.

2. La Meglio Gioventù (2003) Una italianada de 6 horas que fue pensada como miniserie pero degeneró en espectáculo cinematográfico de primer nivel. Es imposible no enamorarse de la vida de los personajes deambulando por la Italia de mediados a fines del siglo XX.
3. The Dark Knight (2008) La película de Batman que he estado esperando desde 1989 o desde mucho antes. El sueño de todo fanático del Caballero Nocturno: un Guasón completamente desalmado que está a la par de un héroe en todo nivel.
4. Beowulf (2007)
5. Y Tu Mamá También (2001)
6. Das Leben Der Anderen (2006)
7. El Laberinto Del Fauno (2006) Perdió el oscar a la mejor película extranjera del 2006 ante la número 6, pero no deja de ser el mejor momento en la carrera de un director siempre prometedor, creativo y muy personal como Guillermo del Toro.
8. Naissance Des Pieuvres (2007) Con la globalización,
9. Grizzly Man (2005)
10. Lust, Caution (2007)



11. La Mala Educación (2005)



12 Finding Nemo (2003)



13 No Country For Old Men (2007)



14. Million Dollar Baby



15. Crouching Tiger, Hidden Dragon



16. A History Of Violence



17. Mulholland Dr.



18. The Host



19. 4 Months, 3 Weeks, 2 Days



20. La Vie En Rose



21. Tristram Shandy: A Cock And Bull Story



22. Hable Con Ella



23. The Constant Gardener



24. Syriana



25. Hedwig And The Angry Inch



26. Zwertböek



27. My Summer Of Love



28. Apocalypto



29. Good Night, And Good Luck



30. La Doublure



31. Dopplegang (Downfall)



32. Little Children



33. Hulk



34. Goodbye, Lenin



35. War Of The Worlds



36. Nacho Libre



37. Black Snake Moan



38. Children Of Men



39. The Dreamers



40. Napoleon Dynamite



41. One Last Thing



42. The U.S. Vs. John Lennon



43. The Barbarian Invasions



44. Broken Flowers



45. Sicko



46. Zodiac



47. Touching The Void: Documental dramatizado sobre un alpinista que casi se encuentra con la pelona en la cordillera blanca del centro del Perú. Excelente fotografía y momentos extremadamente tensos recreados.



48. Bowling For Columbine: El 11 de Septiembre inició la era de la paranoia y el realismo en el cine norteamericano, y éste documental inició la era dorada de los documentales, los cuales han ido mejorando constantemente.



49.

Monday, March 2, 2009


"In My Heart" (Sono Radio, 1980)


FREEWAY










Esta canción es de un grupo "estrella fugaz" que grabó en Nueva York en 1980 y de ahí se deshizo cual meteoro en la atmósfera. Uno de los integrantes era el gran Jean-Pierre Magnet, quien después formaría Perujazz y Wayruro. Los otros miembros eran músicos de estudio cuyo currículum incluía Loggins & Messina y Stephen Stills.








Totalmente subestimada, creo que es una de las mejores canciones jamás grabadas. Sinceramente no tiene nada que envidiar a producciones de calidad hechas en estudios profesionales con músicos profesionales.












Una pena que Sono Radio haya desperdiciado un 45RPM tan bueno... Imposible de encontrar, esta canción la encontré en un cassette que me grabé en 1992 en uno de esos estudios que grababan cassettes en Los Pinos (no sé si sería el del Chule). Tenía que conseguir esta canción como sea y la conseguí gracias a ellos. Ahora la comparto con ustedes, para que no se pierda en el tiempo ni en el espacio.








Del 45RPM del mismo nombre (lado B: "All The People",) descatalogado totalmente. Esta vez, está disponible en este sitio para ser descargada. Javier Lishner escribió una nota sobre la canción y nuestro site aquí.

Tuesday, February 17, 2009




Friday, February 13, 2009


¡En que ambos tienen la calata en frente! En 1986 Phil Collins era la superestrella del Pop blanco mundial, sin duda alguna. Había superado en ventas a gente como Sting y a su ex-compañero en Genesis Peter Gabriel. Esta entrevista fue rescatada de la revista fundada por Hugh Hefner.




What do Phil Collins and Playboy Magazine have in common? Both of them have the naked one on front! In 1986 Phil Collins was, no question about it, the White Pop Superstar, having defeated, in record sales, people like Sting and even his ex-partner in Genesis Peter Gabriel. This interview was rescued out of the Hugh Hefner-founded Magazine.































...cuz you know I cannot believe it's true...





Wednesday, February 4, 2009








The following article appeared on the San Francisco Chronicle on February 2nd, 2009. One day before the 50th anniversary of the "Day The Music Died." In order to preserve the authenticity of the article and the collaborators' input, I will continue with my picks at the bottom.



Javier Moreno, www.cacaorock.com
The Record Store: Rasputin Music in Berkeley (2401 Telegraph Ave., http://www.rasputinmusic.com)


Grace Jones, "Living My Life" ($2.95) her voice, as her beauty, requires an acquired taste. But this Jamaican-born model/actress/singer/icon can really make you dance if you let her convince you. She will do it anyway.

Chick Corea, "My Spanish Heart" ($5.95) As Chick himself explains on the liner notes, a "recent" trip to Spain made him discover his Latin-spanish roots. Chick is from Italian descent, but the Iberic flavor is here.


Kid Creole And The Coconuts, "Off The Coast Of Me" ($2.95) A great finding considering this album is very hard to get and it's their debut. August Darnell's band weren't just a dance act for nightclubs, but actually they created a genre known as "Mutant Disco" -latin percussion blended into disco beats- that ruled European dancefloors in the eighties and evolved into house music. Darnell's your daddy.


Stan Getz, "Another World" ($5.95) Another out-of-print gem from the outstanding saxophonist's catalog (the others include "Children Of The World"). In this double album Getz connects his sax to an echo-plex and teams up with young musicians like Andy Laverne on piano to play acid fusion.


Wings, "Goodnight Tonight (Don't Say It)" [12" Extended Single] ($1.95) Paul McCartney's second band's last single, ten years after the release of the "Let It Be" song. This Maxi single is great for discotheques that rely on the smooth and conforting beats of the past. Macca never played the bass so well on a riff this tight. If you think this one is the best Paul McCartney song he ever recorded without the Beatles, you're not alone. 

Thomas Dolby, "Hyper-Active"  ($1.00) a 12" single off the Flat Earth album. Dolby sped up the tapes and added a sense of desperation in this song that will make us thing of the Beastie Boys' "Intergalactic." But this one is so much punchier! And it's an unfairly underrated and forgotten New Wave dance number.


Lenny Zakatek, "Lenny Zakatek" ($1.00) maybe the greatest bargain I ever found on a record store, since it's an out-of-print, hard to find record never released on CD featuring Alan Parsons Project's great lead vocalist. Parsons himself produced this album.

Tuesday, February 3, 2009

February 3rd, 1959 is considered by Don McLean as The Day The Music Died. Well, not only by him but by an entire generation who saw how the first Rock And Roll wave crashed and faded away by the end of the fifties. Fifty years ago Buddy Holly, J.P. "The Big Bopper" Richardson and Ritchie Valens died on a plane crash after a concert in Clear Lake, Iowa. Terrible news indeed. Three rock pioneers dying extremely young (Valens was 17, Holly 22 and Big Bopper 28) and the curse gets spread afterwards: Little Richard decides to resign the wicked ways of rock after fearing death on a plane crash, Chuck Berry gets incarcerated accused of proxenetism, Jerry Lee Lewis marries his 13 year old cousin and his career is over and Elvis gets enlisted in the Army. Rock And Roll wasn't there to stay.

It was something very similar to what happened later in 1994, after the death of Kurt Cobain and the end of the Grunge era. And nowadays we realize it's all part of a cycle, like the wheel. We can't have it all the time, but its energy must pull us through in this world of trouble.


So the untimely and tragic deaths of Holly, Valens and Big Bopper didn't happen on the day the music died, but when it became immortal. Holly, after dying, released four horsemen of the Apocalypse called Beatles who conquered the world in a way he couldn't have ever imagined, using mostly his influence (Buddy Holly's band was named the Crickets!). Ritchie Valens died too young and his legacy in Latino Rock was barely felt with songs like "La Bamba" and "Donna," but he, as well as Holly, was a pioneer. Big Bopper was starting a career as entertainer that could have reached very high places. His song "Chantilly Lace" is one of the most suggestive, sexy and powerful tunes of the Fifties. Songs like these aren't made anymore and I dare you to compare.

Dead? Fuck No! Rock And Roll Rules My Life Bitch!

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